Often as writers we get lost navigating the forest of our stories because once we enter the woods, we don’t know which direction to go or we have our eye so firmly focused on the distant exit that we can’t see the trees right in front of us.
Yes, this is tired metaphor, but let’s compare these trees to scenes in a story. The ideal and most interesting path from the beginning of the forest to the end will be lined with trees. Just like the ideal story will be composed from beginning to end with the appropriate and most interesting scenes.
Sure the forest is full of many other trees that could be followed, but they will lead you away from the ideal story road onto diverse paths that may seem intriguing, but ultimately lead to dead ends.
So, how does one stay on the proper story path? How do you know which scene trees to follow?
At its most basic, a story is a series of connected scenes, like pearls on a string or trees along a path. Each scene is a self-contained unit of action that advances the plot, reveals character, creates questions or provides answers, and layers in theme. A good scene offers one of more of these traits. A great scene offers all four.
Like the overall story, a scene should have a beginning, middle, and end.
The beginning of the scene should establish the setting (time and place), introduce the characters involved (especially the viewpoint character), and identify a problem, conflict, or question that must be faced.
The middle of the scene should show the characters attempting to resolve the problem, conflict, or question. They should make progress, have setbacks, move forward, slide backwards, and ultimately things seem to get worse, or at least more complicated. The characters are tested and stressed in a way that fits the genre, theme and story arc. Often the middle ends with a dark moment, or crux, where the situation presented at the beginning of the scene has gotten so bad it seems impossible to resolve.
The end of the scene is the resolution. The characters find a course of action using their unique talents, skills, experiences, or via cooperation to either solve the problem, or fail to solve it. They either discover something new, or the answer eludes them. Either way, the building suspense of the scene problem is over as the action concludes.
Obviously, a scene is more complex than simply thinking in terms of beginning, middle, and end. However, by structuring a scene in such a way and building transitions between scenes to connect them, you create a continuous story that flows naturally from beginning to end.
And what more do readers want than a great story that compels them to keep reading to the satisfying conclusion?
When you know which scene trees to follow along the forest path, you’ll arrive at the end of a satisfying story journey.
What tricks have you learned about scene writing?